Thursday, February 18, 2010

Nipple Piercing Procedure For Women






Universal Studios dust off one of the beasts that had not appeared again in this nascent millennium, comes as another remake of a classic horror film: The mythical werewolf.




The story places us in Victorian England, and tells the story of Lawrence Talbot, a man returning to his native England after many years in search of her missing brother. All you find is a strange beast that stalks the peasants and Gypsies in the area, and an unusual werewolf curse that will follow him to death.

Contrary to what might be expected, this review of a story we all know by heart (the man who transforms into a werewolf under the full moon and dies with silver bullets) can not be a bad movie. If we look at the positive side we find the great atmosphere of Victorian England, the impeccable work of illumination that plays superbly with the dark and white light of the full moon and with the yellow lights of the lamps and candles (which leaves me the impression that

the film had an interesting color treatment process, because even the day scenes are sufficiently dark, gloomy and gray as to place in a grim context), and of course, the work of transformation from man to wolf, despite being done in CGI, it is quite believable and well done.

The obvious question would be why is not a great movie? The answer: The narrative aspect is terrible. The events are narrated in a linear, simple, fast and full of empty without any depth (for example: the "love"

almost instantaneous

Lawrence and Gwen) The characters are shallow and often lack the importance it could have if you reach exploit them more (as Scotland Yard detective who has no greater significance), and at the end we will feel that everything they told us the race, as if they hurry to finish the movie: you arrive, you get infected, killer apart and fuck everyone in your path, so I could sum up the narrative pace of the film.

Fortunately narrative flaws are weighed positively by the brilliant performances by luminaries such as Anthony Hopkins, Emily Blunt, Hugo Weaving and clear, Benicio del Toro, a lineup of luxury that is fully compliant with their work acting. There will also be visceral violence explicit gore in proper proportions, and "jump scares"


that will make the movie entertaining and bearable, not to become a classic of the genre or a reference in the future must for fans of horror movies and entertainment ... nothing more than that, so it deserves a 6 / 10. Nothing surprising, considering that the general rule is that the film is terribly mediocre werewolves (saving "An American Werewolf in London" and "The Howling")

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